Parent book: A Distant Mirror · Domain: History
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By Barbara W. Tuchman
BIBLE AND SWORD (1956)
THE ZIMMERMANN TELEGRAM (1958)
THE GUNS OF AUGUST (1962)
THE PROUD TOWER (1966)
STILWELL AND THE AMERICAN EXPERIENCE IN CHINA (1971)
NOTES FROM CHINA (1972)
A DISTANT MIRROR (1978)
PRACTICING HISTORY (1981)
THE MARCH OF FOLLY (1984)
THE FIRST SALUTE (1988)
A Ballantine Book
Published by The Random House Publishing Group
Copyright © 1978 by Barbara W. Tuchman
Maps copyright © 1978 by Anita Karl
All rights reserved.
Published in the United States by Ballantine Books, an imprint of The Random
House Publishing Group, a division of Random House, Inc., New York.
Ballantine and colophon are registered trademarks of Random House, Inc.
This edition published by arrangement with Alfred A. Knopf, Inc.
www.ballantinebooks.com
Library of Congress Catalog Card Number: 79-88536
eISBN: 978-0-307-79369-0
v3.1
Contents
Cover
Map
Other Books by This Author
Title Page
Copyright
Dedication
Acknowledgments
Maps and Illustrations
Foreword
Part One
- “I Am the Sire de Coucy”: The Dynasty
- Born to Woe: The Century
- Youth and Chivalry
- War
- “This Is the End of the World”: The Black Death
- The Battle of Poitiers
- Decapitated France: The Bourgeois Rising and the Jacquerie
Photo Insert- Hostage in England
- Enguerrand and Isabella
- Sons of Iniquity
- The Gilded Shroud
- Double Allegiance
- Coucy’s War
- England’s Turmoil
- The Emperor in Paris
- The Papal Schism
Part Two- Coucy’s Rise
- The Worms of the Earth Against the Lions
- The Lure of Italy
- A Second Norman Conquest
- The Fiction Cracks
- The Siege of Barbary
- In a Dark Wood
Photo Insert- Danse Macabre
- Lost Opportunity
- Nicopolis
- Hung Be the Heavens with Black
Epilogue
Bibliography
Reference Notes
About the Author
—JOHN DRYDEN,
“On the Characters in the Canterbury Tales,”
in Preface to Fables, Ancient and Modern
“For mankind is ever the same and nothing is lost out of nature, though everything is
altered.”
Acknowledgments
I would like to express my thanks to all who have helped me in one
way or another to write this book: to Maître Henri Crepin, Deputy
Mayor of Coucy-le-Château and president of the Association for
Restoration of the Castle of Coucy and Its Environs, for his
hospitality and guidance; to my editor Robert Gottlieb for
enthusiasm and belief in the book as well as judicious
improvements; to my daughter Alma Tuchman for substantial
research, my friend Katrina Romney for sustained interest and to
both for critical reading. For rst aid in medieval complexities, I am
especially indebted to Professors Elizabeth A. R. Brown and John
Henneman; also to Professor Howard Garey for elucidating problems
of medieval French, and to Mr. Richard Famiglietti for the bene t of
his familiarity with sources in the period. For various advice,
guidance, translations and answers to queries, I am grateful to
Professors John Benton, Giles Constable, Eugene Cox, J. N.
Hillgarth, Harry A. Miskimin, Lynn White, Mrs. Phyllis W. G.
Gordan, John Plummer of the Morgan Library, and, in France,
Professors Robert Fossier of the Sorbonne, Raymond Cazelles of
Chantilly, Philippe Wol of Toulouse, Mme. Therese d’Alveney of
the Bibliothèque Nationale, M. Yves Metman of the Archives
Nationales, Bureaux des Sceaux, M. Georges Dumas of the Archives
de l’Aisne, and M. Depouilly of the Museum of Soissons; also to
Professor Irwin Saunders for introductions to the Institute for Balkan
Studies in So a, and to Professors Topkova-Zaimova and Elisabeth
Todorova of that Institute for assisting my visit to Nicopolis; also to
Widener Library at Harvard and Sterling Library at Yale for
borrowing privileges, and to the helpful and knowledgeable sta of
the New York Public Library for assistance of many kinds. To
unnamed others who appeared brie y to lend a hand on my journey
of seven years, my gratitude is equal.
Maps and Illustrations
Maps
Europe in the 14th Century
France after the Treaty of Brétigny, 1360
Italy in 1360
The Swiss Campaign, 1375–76
Nicopolis and Other Castles on the Danube (BN: Ms. Lat. 7239, fo.
113–14)
Illustrations
COLOR PLATES
- The royal palace in Paris (BN: Ms. Fr. 23279, fo. 53)
2, 3. The E ects of Good Government, in the City and in the Country, by
Ambrogio Lorenzetti (Scala/Editorial Photocolor Archives)- The Battle of Poitiers (BN: Ms. Fr. 2643, fo. 207)
- Deer hunt from Hours of Marguerite d’Orléans (BN: Ms. Lat. 1156B, fo. 163)
- Guidoriccio da Fogliano, by Simone Martini (Scala/Editorial Photocolor Archives)
- Banquet for the Emperor (BN: Ms. Fr. 2813, fo. 473v)
- Departure for Mahdia campaign (British Museum: Harleian mss. 4379, fo. 60b)
- Bal des Ardents (BN: Ms. Fr. 2646, fo. 176)
BLACK AND WHITE PLATES
7.1Coucy-le-Château (from Androuet Du Cerceau, Les plus excellents bâtiments de
France, 1648)
7.2The abandoned castle in later years (from Alexandre Du Sommerard, Les Arts au
Moyen Age, 10th ser., pl. IX)
7.3 Fortune’s wheel (Morgan Library: Ms. 324, fo. 34v)
7.4 Coucy’s seals (AN: Bureaux des sceaux)
7.5 Chaucer’s squire (The Huntington Library: Ellesmere ms. 26, C9)
7.6 A 14th century carriage (Zentralbibliothek, Zürich)
7.7 View of Paris (BN: Ms. Fr. 2645, fo. 321v)
7.8 A country village (BN: Ms. Fr. 22531)
7.9 Charles of Navarre (Photo: Giraudon)
7.10 Jean II (The Louvre)
7.11 The Black Prince (Dean and Chapter of Canterbury)
7.12 English archers (British Museum: Addit. mss. 42130, fo. 147v)
7.13 View of London (British Museum: Royal mss. 16F 11, fo. 73)
7.14 The Last Judgment (Archives photographiques, Paris)
7.15 The world as a globe (BN: Ms. 574, fo. 42)
7.16 The child’s education (Morgan Library: Ms. 456, fo. 68v)
7.17 Pillage and burning (BN: Ms. Fr. 2644, fo. 135)
7.18 A charivari (BN: Ms. Fr. 146, fo. 34)
7.19 The fourth horseman of the apocalypse (Musée Condé, Chantilly; Photo:
Giraudon)
7.20 The Triumph of Death (Scala/Editorial Photocolor Archives)
7.21 Burial of the plague victims (Bibliothèque royale, Bruxelles: Ms. 13076–77, fo.
24; Photo: Giraudon)
7.22 Penitential procession (Musée Condé, Chantilly; Photo: Giraudon)
7.23 A Cardinal (The Metropolitan Museum of Art, The Cloisters Collection, Munsey
Fund, 1932, and Gift of John D. Rockefeller, Jr., 1947)
7.24 Knights (AN; Photo: Giraudon)
7.25 Peasants (Musée Condé, Chantilly; Photo: Giraudon)
7.26 Slaughter of the Jacques (BN: Ms. Fr. 2643, fo. 226v)
7.27 Murder of the marshals (BN: Ms. Fr. 2813, fo. 409v)
7.28 The war-dog (BN: Ms. Lat. 7239, fo. 61r)
7.29 The Battle of Sluys (BN: Ms. Fr. 2643, fo. 72)
7.30 Widowed Rome (BN: Ms. Ital. 81, fo. 18)
7.31 Florence (BN: Vb, 37 fol.)
23.1 Papal palace at Avignon (Prints Division, New York Public Library)
23.2 Coins (American Numismatic Society)
23.3 A Sienese army (from Aldo Cairola, Il Palazzo Pubblico di Siena, Copyright©
1963 Editalia)
23.4, 23.5. The Swiss campaign (Berner Chronik, facsimile ed., Bern, 1943, vol. 1,
pls. 202 and 206, Copyright 1943, Aare Verlag Bern)
23.6 Sir John Hawkwood (Scala/Editorial Photocolor Archives)
23.7 Pierre de Luxemburg (Musée Calvet, Avignon; Photo: Braun)
23.8 Burning of the Jews (Bibliothèque royale, Bruxelles: Ms. 13076–77, fo. 12v
23.9 Jew (Cathedral of Tarragona; Photo Mas, Barcelona)
23.10 Christine de Pisan (BN: Ms. Fr. 835, fo. 1)
23.11 Jean de Berry (Archives photographiques, Paris)
23.12 Philip of Burgundy (Photo: Giraudon)
23.13 Charles V receiving Aristotle’s Ethics (Bibliothèque royale, Bruxelles: Ms. 9505–
06, fo. 1)
23.14 Pope Urban VI (Photo: Leonard Von Matt, Buochs, Switzerland)
23.15 Clement VII (Photo: Giraudon)
23.16 The siege of Mahdia (BN: Ms. Fr. 2646, fo. 79)
23.17 Louis d’Orléans (Photo: Giraudon)
23.18 The Visconti device (BN: Ms. Lat. 6340, fo. 901v)
23.19 Gian Galeazzo Visconti (The Louvre; Photo: Giraudon)
23.20 Froissart o ering his Chronicles to Charles VI (BN: Ms. Fr., nouv. acq., 9604,
fo. 1)
23.21 Gerson preaching (Bibliothèque municipale de Valencienne; Photo: Giraudon)
23.22, 23.23 Bureau de la Rivière and Cardinal Jean de La Grange (Archives
photographiques, Paris)
23.24 E gy of Guillaume de Harsigny (Museum of Laon)
23.25 Danse Macabre (Archives photographiques, Paris)
23.26 Lamentation of the Virgin (BN: Ms. Lat. 9471, fo. 135)
23.27 Massacre of the prisoners at Nicopolis (BN: Ms. Fr. 2646, fo. 255v)
23.28 Posthumous portrait of Coucy (Museum of Soissons)
23.29 Ruins of the donjon of Coucy in 1917 (Association for the Restoration of Coucy
and Its Environs)
23.30 Coucy-le-Château today (Photo: S.P.A.D.E.M.)
Foreword
T
The Period, the Protagonist, the Hazards
he genesis of this book was a desire to nd out what were the
e ects on society of the most lethal disaster of recorded
history—that is to say, of the Black Death of 1348–50, which
killed an estimated one third of the population living
between India and Iceland. Given the possibilities of our own time,
the reason for my interest is obvious. The answer proved elusive
because the 14th century su ered so many “strange and great perils
and adversities” (in the words of a contemporary) that its disorders
cannot be traced to any one cause; they were the hoofprints of more
than the four horsemen of St. John’s vision, which had now become
seven—plague, war, taxes, brigandage, bad government,
insurrection, and schism in the Church. All but plague itself arose
from conditions that existed prior to the Black Death and continued
after the period of plague was over.
Although my initial question has escaped an answer, the interest
of the period itself—a violent, tormented, bewildered, su ering and
disintegrating age, a time, as many thought, of Satan triumphant—
was compelling and, as it seemed to me, consoling in a period of
similar disarray. If our last decade or two of collapsing assumptions
has been a period of unusual discomfort, it is reassuring to know
that the human species has lived through worse before.
Curiously, the “phenomenal parallels” have been applied by
another historian to earlier years of this century. Comparing the
aftermaths of the Black Death and of World War I, James Westfall
Thompson found all the same complaints: economic chaos, social
unrest, high prices, pro teering, depraved morals, lack of
production, industrial indolence, frenetic gaiety, wild expenditure,
luxury, debauchery, social and religious hysteria, greed, avarice,
maladministration, decay of manners. “History never repeats itself,”
said Voltaire; “man always does.” Thucydides, of course, made that
principle the justi cation of his work.
Simply summarized by the Swiss historian, J. C. L. S. de Sismondi,
the 14th century was “a bad time for humanity.” Until recently,
historians tended to dislike and to skirt the century because it could
not be made to t into a pattern of human progress. After the
experiences of the terrible 20th century, we have greater fellow-
feeling for a distraught age whose rules were breaking down under
the pressure of adverse and violent events. We recognize with a
painful twinge the marks of “a period of anguish when there is no
sense of an assured future.”
The interval of 600 years permits what is signi cant in human
character to stand out. People of the Middle Ages existed under
mental, moral, and physical circumstances so di erent from our
own as to constitute almost a foreign civilization. As a result,
qualities of conduct that we recognize as familiar amid these alien
surroundings are revealed as permanent in human nature. If one
insists upon a lesson from history, it lies here, as discovered by the
French medievalist Edouard Perroy when he was writing a book on
the Hundred Years’ War while dodging the Gestapo during World
War II. “Certain ways of behavior,” he wrote, “certain reactions
against fate, throw mutual light upon each other.”
The fty years that followed the Black Death of 1348–50 are the
core of what seems to me a coherent historical period extending
approximately from 1300 to 1450 plus a few years. To narrow the
focus to a manageable area, I have chosen a particular person’s life
as the vehicle of my narrative. Apart from human interest, this has
the advantage of enforced obedience to reality. I am required to
follow the circumstances and the sequence of an actual medieval
life, lead where they will, and they lead, I think, to a truer version
of the period than if I had imposed my own plan.
The person in question is not a king or queen, because everything
about such persons is ipso facto exceptional, and, besides, they are
overused; nor a commoner, because commoners’ lives in most cases
did not take in the wide range that I wanted; nor a cleric or saint,
because they are outside the limits of my comprehension; nor a
woman, because any medieval woman whose life was adequately
documented would be atypical.
The choice is thus narrowed to a male member of the Second
Estate—that is, of the nobility—and has fallen upon Enguerrand de
Coucy VII, last of a great dynasty and “the most experienced and
skillful of all the knights of France.” His life from 1340 to 1397
coincided with the period that concerned me, and, from the death of
his mother in the great plague to his own perfectly timed death in
the culminating asco of the century, seemed designed for my
purpose.
Through marriage to the eldest daughter of the King of England,
he acquired a double allegiance bridging two countries at war,
which enlarged the scope and enriched the interest of his career; he
played a role, usually major, in every public drama of his place and
time, and he had the good sense to become a patron of the greatest
contemporary chronicler, Jean Froissart, with the result that more is
known about him than might otherwise have been the case. He has
one grievous imperfection—that no authentic portrait of him exists.
He has, however, a compensating advantage, for me: that, except for
a single brief article published in 1939, nothing has been written
about him in English, and no formal, reliable biography in French
except for a doctoral thesis of 1890 that exists only in manuscript. I
like nding my own way.
I must beg the reader to have patience in making Coucy’s
acquaintance because he can only be known against the background
and events of his time which ll the rst half dozen chapters.
Enguerrand (pronounced with a hard “g”) made his rst mark on
history at the age of eighteen in 1358, which does not occur until
Chapter 7.
I come now to the hazards of the enterprise. First are uncertain
and contradictory data with regard to dates, numbers, and hard
facts. Dates may seem dull and pedantic to some, but they are
fundamental because they establish sequence—what precedes and
what follows—thereby leading toward an understanding of cause
and e ect. Unfortunately, medieval chronology is extremely hard to
pin down. The year was considered to begin at Easter and since this
could fall any time between March 22 and April 22, a xed date of
March 25 was generally preferred. The change over to New Style
took place in the 16th century but was not everywhere accepted
until the 18th, which leaves the year to which events of January,
February, and March belong in the 14th century a running enigma—
further complicated by use of the regnal year (dating from the
reigning King’s accession) in o cial English documents of the 14th
century and use of the papal year in certain other cases. Moreover,
chroniclers did not date an event by the day of the month but by the
religious calendar—speaking, for example, of two days before the
Nativity of the Virgin, or the Monday after Epiphany, or St. John the
Baptist’s Day, or the third Sunday in Lent. The result is to confuse
not only the historian but the inhabitants of the 14th century
themselves, who rarely if ever agree on the same date for any event.
Numbers are no less basic because they indicate what proportion
of the population is involved in a given situation. The chronic
exaggeration of medieval numbers—of armies, for example—when
accepted as factual, has led in the past to a misunderstanding of
medieval war as analogous to modern war, which it was not, in
means, method, or purpose. It should be assumed that medieval
gures for military forces, battle casualties, plague deaths,
revolutionary hordes, processions, or any groups en masse are
generally enlarged by several hundred percent. This is because the
chroniclers did not use numbers as data but as a device of literary
art to amaze or appall the reader. Use of Roman numerals also made
for lack of precision and an a nity for round numbers. The gures
were uncritically accepted and repeated by generation after
generation of historians. Only since the end of the last century have
scholars begun to re-examine the documents and nd, for instance,
the true strength of an expeditionary force from paymasters’
records. Yet still they disagree. J. C. Russell puts the pre-plague
population of France at 21 million, Ferdinand Lot at 15 or 16
million, and Edouard Perroy at a lowly 10 to 11 million. Size of
population a ects studies of everything else—taxes, life expectancy,
commerce and agriculture, famine or plenty—and here are gures
by modern authorities which di er by 100 percent. Chroniclers’